If you want to expand your guitar playing beyond strumming an accompaniment chord part then fingerstyle guitar is a great way to add variety to your playing. It is a great technique to learn for both the acoustic guitar and the electric guitar. With its piano-like sound (since you play the bass parts and the melody parts at the same time), one can say it is the perfect technique for playing without other musicians around.
Under ‘Fingerstyle Guitar’ we understand the technique of playing the guitar by plucking the strings directly with the fingertips, fingernails, or finger picks (picks attached to fingers), as opposed to ‘Flatpicking’ (picking individual notes with a single plectrum) or strumming all the strings of the instrument in chords. The term is often used synonymously with ‘Fingerpicking’.
Difference Between Strumming and Fingerstyle
The main difference between strumming and fingerstyle is that strumming is a very simple guitar technique in which we strum (brush) the strings with the finger or guitar pick up or down. This technique is perfect for beginners who want to play simple chords and songs.
With fingerstyle guitar you will pluck the strings with the ‘picking hand’ fingertips so the beginning could be more challenging than strumming as we have to now use finger independence with our dominant hand as well as the fretting hand.
The main aim when playing fingerstyle is to orchestrate the piece of music, meaning that you merge bass lines, melody lines and chords into one part. All classical guitar is fingerstyle and is played on nylon string guitars, but over the last few decades, many great players have adapted fingerstyle to steel string and even electric guitar and popularized the technique.
It is still most commonly utilized in folk and classical guitar, but it can be utilized in just about any style.
In essence fingerstyle guitar involves quick playing, moving around the fretboard and using all of the strings. If you can get good at this style then others, such as bluegrass, will come more easily to you, but be prepared for plenty of frustrated hours improving your finger independence.
If you are used to strumming, this technique can be quite overwhelming at first, so before you go here is something to keep in mind – even the most challenging fingerpicking arrangement, in any style of music, consists of three basic movements. The thumb can pluck a string, the other fingers can pluck a string or the thumb and another finger can pluck some strings at the same time (called a ‘pinch’). That is it! Once you learn these basic movements, with practice and time, it’s easily possible to learn some great sounding pieces and your guitar playing will come alive.
Here is one such piece that isn’t the easiest, but it isn’t too hard for a 1st fingerpicking piece either: Falling slowly by Glen Hansard and Marketa Irglova. And if you’d like to get started on a more classical route – check out ‘Giuliani Studies’ – these are technical fingerstyle studies that have existed for so long that are now available for free! And they contain chords and techniques still used to this day.
For more guides, tips and tricks we invite you to join Neli’s Guitar Family and subscribe to her YouTube channel! If you are ready to dive into the world of guitar (or ukulele) you can sign up for a lesson HERE– the first one is 50% off!
The journey of any guitarist begins by deciding what type of guitar you want to start with and that can be a tough decision. Of course, you can start with any type of guitar, and once you know the basics you can switch and decide which is the best fit. But it is always good to know what you are dealing with in advance. We already covered most types ofacoustic and electric guitar, so now it is time for the classical guitar.
Most guitarists start on an acoustic or classical guitar, because an acoustic is a little less harsh on the fingers and a very simple pick-up-and-play option. You don’t need an amplifier to hear the sound properly and they are often cheaper than electric guitars.
For some beginner guitarists (and advanced as well) it is hard to tell the difference between an acoustic and a classical guitar. So let’s clear that up.
Here are the key differences between the two:
The fretboard of a classical guitar is a lot wider than that of an acoustic. Quite often classical guitars will not have the fret markers (dots or inlays) along the fingerboard either.
2. Body Shape
Acoustic guitars often come in a dreadnought shape which is considerably larger than that of a classical guitar and cutaways where you have access to the higher frets on classical guitars are rather rare.
A classic wrap-around bridge is used on a standard classical guitar. On this type of guitar, the strings are tied in a knot around the bridge to secure them in place. But classical bridges also accept ball-end classical strings. In contrast, the bridge on an acoustic guitar has pegs that securely hold the strings in place via their ball-ends.
Both these guitars are in fact acoustic guitars, except one uses nylon strings (classical) and the other uses steel strings (acoustic), hence the modern acoustic ones are often referred to as a “steel string acoustic”. The nylon strings of a classical guitar are a lot thicker and mellower or softer sounding than those of a steel string. Some nylon string guitars are also not considered to be ‘classical’, however, to differentiate between them would be a whole other topic. Let us know if you’d like us to cover that one as well.
5. Tuning Pegs
The mechanics of the tuning peg on a classical guitar are quite different to those on an acoustic guitar. Usually, on a classical guitar, the tuning peg is made of plastic and metal, whereas on an acoustic guitar the whole tuning peg is made out of metal.
Often classical guitars are a little cheaper than their acoustic cousins, which is why many beginners start with a classical guitar first.
The best thing you can do is try as many guitars as you can and see which style is best for you and the music you like to play. Go to the local musical store and spend a good amount of time there or ask guitarist friends of yours to have a strum at their guitar. And don’t get overwhelmed – there are indeed thousands of guitars out there, but you will be able to feel which ones are right for you.
If you would like to read further a very detailed explanation about the nature of classical guitars, check this article.
Did we miss anything important? If you have some questions left or want to add something, feel free to leave a comment below or join our Guitar Family and start a conversation there.
“Meet the man who many thought was my brother through our Higher Diploma course as I met him – The Count! Later I learned that he also had a normal human name – Joseph 😀 He’s an awesome guitarist with lots of pizzazz who has created awesome rock and metal shred instrumentals and also released an acoustic track recently. A multiinstrumentalist, teacher, composer… read more about his music journey below.” – Neli
How did your music journey begin?
I started playing when I was 15. I was inspired by the guitarist John 5, of Marilyn Manson and Rob Zombie, but it was his solo work that really inspired me. He has a great command of the instrument and seems to be able to play a huge range of styles. I certainly never intended it to become my career choice, but I instantly got hooked! I was lucky to have a lot of excellent teachers who inspired me to work hard.
What is the story behind your stage name The Count?
I wish there was a better story for this! Two huge influences were Alice Cooper and Marilyn Manson so I thought if I was going to be a musician I needed a stage name as well! I was watching ‘Dracula’ and just thought ’The Count, that’ll do!’ I’d love to tell you that I’m a real Count living in a castle in Transylvania but sadly not!
Does the inspiration for your unique fashion style come from music?
To some extent, yes. The highly theatrical performers I mentioned above certainly inspired that. Jimi Hendrix is also a big fashion influence, I have a replica of his iconic military jacket. I think being a musician gives you permission to be a little more flamboyant!
You have obtained multiple qualifications in Guitar. What advice would you give to an aspiring guitarist, who is wondering whether to pursue music as a formal education?
It’s a difficult one. I am glad I did all the qualifications as it made me learn things I wouldn’t have looked at otherwise and some of the teachers I had were extremely inspiring. However not all music courses are created equal, some of them do more essay writing and music business which is fine if that’s what you’re after, but they won’t help you get better at your instrument. It’s worth looking through a course’s curriculum before committing yourself to anything.
In addition to guitar, you have also mastered the sitar, piano and mandolin. Is learning a second instrument easier than the first or is it confusing?
Certainly a lot easier! Particularly with the stringed instruments, the mandolin requires the same technique as guitar, just on a smaller scale. I think with piano, though it has very little in common with the guitar, I still had a head start when it came to finger dexterity and the fact I could already read music. It’s worth saying I don’t dedicate equal time to all of them. Guitar and piano certainly get more focus than the others.
Do you plan on learning other instruments?
I bought a banjo over lockdown as something to do which is a lot of fun! I don’t currently have any plans to learn another one, there’s only so many hours in the day! It’s always interesting to try out different instruments, I learn a lot I can then apply to the guitar, it’s a great way of breaking away from familiar patterns.
So far you have produced one album “More is More” and one EP “Aqua Hands”. How does your writing process go?
Very slowly! It’s often several months from the initial idea of a song to the completion. A lot of the material for Aqua Hands was actually written away from the guitar. A lot of the guitar solos were inspired by classical piano music by composers like Liszt and Chopin. I have a huge library of sheet music and often I’d take a pattern from something they’d written and reworked it to suit the song. After I got a sound I liked I’d then try and work out how to play it on guitar. Most of the time this was extremely difficult as the patterns don’t suit the guitar’s tuning at all. Sometimes a few seconds of music could take me weeks to practice. Though it’s a difficult, and often very frustrating process, it creates idea’s I’d never come up with if I only wrote while sitting with the guitar. It’s very easy to get stuck in familiar patterns.
What changed in your style and creative process between the two projects?
The two projects were done 5 years apart, so quite a lot! ‘More is More’ is my first attempt at writing music, so I was still trying out a lot of things. Everything was recorded with my friend and former guitar teacher Sam McCune at his home studio ’Skull Sound Studios.’ He mixed and mastered the whole thing. I learned a lot while doing it, some of the tracks are not the sort of thing I’d write now, but I think that’s all part of the process. He certainly helped me to understand what works and it was a great experience.
When it came to Aqua Hands I had my own recording set up so everything was done from home. My friend A-Siege then beefed up the production, we added lots of orchestration and had a lot of fun seeing how over the top we could make the tracks! Some of them turned out quite differently to how they were originally written. The song ‘Riptide’ was intended to be a straight ahead rock song but it ended up as a synth filled, Van Halen style track! It probably ended up being my favourite track on the EP. It’s sometimes good to suggest some different ideas, it can produce some great results!
The track “Stringkiller” from your first album features a guest appearance from television legend Bill Oddie. How did that come around? Bill is a good friend of my dad’s, and I’ve met him a few times. I know he’s a big fan of classic rock music and thought it’d be fun to bring a bit of a comedy edge to it! He was very pleased to be involved which was great as it made the track into something unique, and added some much needed humour. His part was actually recorded by my Dad at a charity event in a hallway!
Is there something you’d like to experiment with in music, but haven’t had the opportunity yet?
I think I’d like to learn orchestration to a better extent and perhaps try writing music for instruments other than the guitar. I’ve started branching out with the track ‘Lotus’ from Aqua Hands, which was written for the sitar. They’ll also be two solo piano pieces on my next EP.
Due to the pandemic The Count has had a lot of time to work on several projects of his own. The song ‘Roswell’s Night Out’ with Dannyjoe Carter from Las Vegas – that includes plenty of high-speed shredding and showing off – is now out.
On the other end of the spectrum, he has also written another EP with two finger-style guitar pieces and two piano pieces which show a new side of his work. And he also released a brand new EP with the band The Jupiter Gallery. Follow him on social media and check it all out!
Since you are here, chances are the thought of becoming a guitarist has popped up in your mind not once or twice. We are not here to convince you to embark on the journey on the spot – just state some facts, that inevitably will do so. Check them out and see for yourself if you would be interested in benefiting from all of them (and actually plenty more) while learning the guitar!
1. Exercises your brain
Concentration and memory are two things you use in all areas of life so their constant development is much needed. Playing the guitar is an extremely enjoyable way of improving them – yeah some people also enjoy doing math exercises, but do they really? As you spend more time focusing on different guitar exercises or songs, you’ll find that your ability to focus on other tasks outside of playing music will increase as well.
2. Improves fine motor skills
If you’ve ever tried to learn how to use chopsticks, you’ll know how difficult it is to coordinate your fingers. Learning how to play the guitar is kind of like that, but about a thousand times more difficult. Just like picking up a new sport, learning to play the guitar greatly improves your hand-eye coordination as it requires very specific movements. The best part about improving your motor skills from playing music is that it translates to other activities like knitting, martial arts, and sports.
3. Еnhances your creativity
Whether it’s writing original material or reworking a song for a cover, the guitar is going to unleash your creativity. Since you are thinking of learning exactly the guitar you must find it inspiring and exactly that inspiration will boost your imagination. Who knows, you might even surprise yourself.
4. Provides emotional release
Probably the most enjoyable aspect of playing the guitar is the happiness that comes from expressing yourself through music. The free expression found in creating music is linked to many health benefits – playing the guitar can also lower blood pressure, decrease your heart rate, reduce stress, and lessen anxiety and depression.
5. Boosts your confidence
Learning to play the guitar can have an enormously positive effect on your self-esteem and confidence. As you learn to play, chances are you’ll end up playing in front of a family member, a mate, some potential bandmates or even an audience. Playing guitar in front of others, however scary at first, will build your confidence in expressing yourself publicly and sharing your creativity.
6. Creates connections
It’s definitely possible to spend your entire musical journey jamming alone in your bedroom, but the best musical moments come from playing with others. Finding people to jam with can lead to meeting a ton of cool like-minded people. The shared experience of playing music together can also strip away a lot of psychological barriers and often leads to close and long-lasting relationships.
7. Increased appreciation of music
Once you know how music works and have tried to create it yourself nothing will ever be the same… Seeing, listening and thinking about how the notes fit together in your favorite songs played by beloved musicians of yours – you’ll be surprised at how much more you’ll enjoy music.
‘Learning how to play an instrument, any instrument, will increase your ability to appreciate music on a deeper level of understanding and (I believe) emotional connection. This is because you can relate more to the music and the artist performing it.’ – Philip Quintas
8. The Cool Factor
Let’s be honest for a moment. Playing the guitar is just cool. A guitar player who is comfortable with the music they are playing simply radiates confidence. Naturally, that is going to look cool no matter the setting. Sure, learning guitar just to look cool is a bad way to go about this, but the fact remains that it’s an incredible feeling to play your creations in front of an audience in awe.
A lot of beginner guitarists, and even some intermediate players, have the bad habit of playing the strings using only downstrokes. If it has been a while now since you started playing the guitar, surely you already know what alternate picking is – the combination of downstrokes and upstrokes. Alternate picking is essential for all guitarists, regardless of genre – so the sooner you master it, the better.
The theory behind alternate picking is very simple: when you play single note lines, you should always pick your notes with a down-stroke, then an upstroke, then a down-stroke, upstroke, down-stroke, and so forth, alternatively (keeping in mind the shortest rhythm time).
This kind of picking allows you to optimize the right-hand motion and reach speeds impossible to obtain with a one-way-only picking. And it is logical right? After all you’re utilizing both the down-motion and up-motion, giving you twice as fast a rhythm. Not all guitarists are as obsessed with fast playing as others, but speed is something the vast majority of guitarists will employ at least some of the time.
The Basics of Alternate Picking
There’s nothing really complicated about it. To alternate pick, all you have to do is: pick downstrokes and upstrokes consistently. That’s it! However, you must start off with holding the guitar pick correctly – that is essential if you want to reap the full benefits of alternate picking. Watch Neli’s video below to check if you already have that covered.
Once you’re holding your pick correctly, try having it at a slight angle to the string rather than holding it parallel to the string. With the pick at an angle, it will meet with less resistance from the string. This is because the curved edge of the pick will slide across the string.
Once you have found an angle that works, it is time to concentrate on the movement of the picking hand. With alternate picking, you should use small movements. An important thing to pay attention to is also where the picking movement is coming from – and that would be the fingers, not from the wrist for high speeds.The wrist is slow, as it requires a bigger movement to move the entire hand than it does to simply move the joints of the fingers. You can use your wrist movement for regular speeds. The important part is to NOT use movement from the elbow. Not only for technical reasons, but playing from the elbow can lead to injury.
What to note when exercising
Remember, you are alternate picking. The first stroke on each note should be a down and the second stroke should be an up. So when you exercise, you should begin with a downstroke and continue with an upstroke. Ideally, you want to get to a stage where you can play all exercises evenly and consistently. There shouldn’t be any big gaps between notes.
If you find yourself falling back into bad habits, give yourself time to think and practice slowly. You can play exercises at whatever pace is most comfortable for you, but the rhythm must be consistent.
When you are wondering what to play as an exercise remember that scales are a great way to practice alternate picking. Whenever you learn a scale on the guitar, unless you’ve been specifically told otherwise, you should play it using alternate picking. You can also use Neli’s Ultimate Scale Exercises by joining our Guitar Family. You will receive it straight to your inbox in a few days.
And one final thought – the best way to practice alternate picking is to use it as much as possible. Whether you’re playing lead, scales or even chords, try and use alternate picking in everything that you do.
For more tips and tricks we invite you to join Neli’s Guitar Family and subscribe to herYouTube channel! If you are ready to dive into the world of ukulele (or guitar) you can sign up for a lesson HERE – the first one is 50% off!
“Someone thanks to whom I went to some cool small punk gigs, someone who was out to play anything rock and just enjoy themselves in London through our year together in Uni – meet Tom Rawlins! Here’s his story in his own words 🙂 “ – Neli
“I am Tom, a 27 year old Guitar, Bass and Ukulele player and teacher who fell in love with the idea of playing when I saw Marty McFly play Johnny B Goode in Back to the Future. It still took me a few years to actually pick up the Guitar and dedicate time to the instrument but since then I have gone from knowing nothing to running my own local guitar school (Medway Guitar School in Kent) and playing in cover bands as my job and it is a progression I am immensely proud of.”
What were you like when you were first starting on guitar?
I started playing properly at age 15 and though I could already piece together a few chords at that point I honestly had no idea what I was doing. I could not afford a tutor despite wanting one and did my best to piece together what I could from online lessons, books and live videos. I probably had more confidence in my ability than what was warranted but that misplaced confidence did get me a long way so I cannot say I regret it.
You are the founder of Medway Guitar School. How did you decide tо make your own music school?
During my years at Uni I realised I had a love of teaching; whether it was teaching my peers who played other instruments or breaking down theory, I enjoyed the feeling of seeing something click in someone and seeing someone develop as a player. I could feel an immense amount of pride in them and myself from that development and that feeling is very addictive. It made sense to me that when I left University that it would be a key part of my income as a musician..
What makes for a smooth transition from being a guitarist to also teaching others how to be guitarists too?
Just get started, maybe try with a few friends and family first and then develop out for teaching for a small fee, try not to massively undercut the market but enough to reflect that you are a new teacher. Remember the pupil is always number one. You have to keep in mind that we all struggled with areas of our development as players at one point or another and that we have interests in completely different areas. I always meet the pupil where they are at in terms of ability and interests and develop their learning around those aspects. Always be patient and encouraging and help them find their own voice on the instrument. Trying to create mini versions of yourself is the quickest way to dissuade pupils from playing.
What are some realistic goals a beginner should set for themselves when first starting?
Honestly the smaller the goal the better. I always start with a few basic tabs often as simple as a single string tab. It is massively encouraging for a pupil to walk away from their first lesson having already made music. From there I continue to use tabs to develop the pupils coordination and dexterity whilst introducing them to basic open chords to play a simple song of their choice. Don’t start with chords right away, they are crucial in the early stages of playing but you need to develop some confidence and familiarity with the instrument first and nothing is better for that than basic riffs and melodies via tab.
As a guitar teacher with years of experience, how do you personally set goals for the continuous development of your guitar skills?
There are huge number of things that go into choosing a goal. As a professional there is also income development to consider. In the last couple of years for example, I have branching out into covers work, my focus has been much more on singing and song learning. But I keep small part of practice to one or two small developmental goals. Keep the goals simple, small and suitable to the amount of practice time available. Avoid overwhelming yourself. You may want to increase your repertoire, develop your technique, chords, aural perception and rhythm all at once but if you only have an hour practice a day you will make little to no progress. One thing at a time, for example I am currently working a single exercise daily for my alternate picking (my playing to this point has been more legato and economy picking based) and a single exercise for developing altered licks whilst improvising either side of my song learning practice.
Music theory scares many beginner musicians. How do you approach the matter with students who are overwhelmed by the theoretical part of music?
I often find music theory is less scary for pupils and more that they assume it could potentially damage their expressiveness as a player. When you are learning the fundamentals it can seem like a bunch of rules rather than what theory actually is, which is an explanation of how music works. I do my best to explain this through a demonstration to show how theory has impacted my own playing and development, explaining how those who do not understand theory often end up falling into the trap of “following the rules” without realising. I then work through the theory very slow step by step, I always test a pupils knowledge continuously making sure they understand the current step in full before moving onto the next goal checking in and gently encouraging them all the way.
What is something you learned from your students?
I am always learning from my students. Believe it or not just going over the fundamentals of playing with them has taught me a lot. You come into teaching believing that you already know these concepts in and out and while you definitely understand them explaining them and answering unexpected questions around the fundamentals can get you to think about them in a way you never imagined before. It can certainly help you to reinvigorate their use in your playing. The fundamentals can seem boring sometimes but even the masters worked on them well into their playing development, just because you know them does not mean there is not more to learn about them.
Is there something you’d like to experiment with in music, but haven’t had the opportunity yet?
I keep meaning to sit down and practice more keyboards. While I understand what is theoretically going on and I can string together a few chords and scales my muscle memory and technique is not developed enough to perform proficiently and I do really need to get a decent keyboard and work on it. I believe it will help me look at music in a completely different way and potentially open up future performance opportunities.
Before lockdown Tom’s function band Slam Dunktion were about to get started on gigging. The lockdown put a hold on that for now but they are currently working on a video for when the gigs get going again, so keep your eyes peeled for that.
How much do you actually know about the ukulele except that it looks adorable and immediately gives you those Hawaian vibes? The ukulele was indeed born in Hawaii but has its roots found in Western Europe. Read on ahead to find out more about the four-stringed instrument.
We can say that the ukulele has a Portuguese descend, since its parents – the cavaquinho and the machete, also known as braguinha – were born in the city of Braga, located in the north of the country. It was around 1879 when Portuguese immigrants from Madeira decided to leave their home in search of a better life. Some 25,000 people found such a life working in the Hawaiian archipelago.
With themselves, they also brought the machete, which immediately became popular with the local population. The European immigrants were excellent guitar players – so great that they even gained the appreciation of the royal family.
In less than two decades, the ukulele was born as a natural Hawaiian adaptation of those four and five-string Portuguese instruments that were brought to Hawaii. And so not long after the immigrants started working in local sugar plantations, they were opening woodworking shops where musical instruments and furniture were sold side by side.
The word “ukulele” itself has a curious meaning – “jumping flea.” It was given this name because of its small size, and vibrant, cheerful, and exuberant sound.
The technical specifics
There are four main sizes of ukuleles: the baritone ukulele (18-21 frets), the tenor ukulele (17-19 frets), the ukulele concert (15-18 frets) and the soprano ukulele (12-15 frets).
The price of an ukulele has a wide range – anywhere between $20 and more than $1,000, depending on the type and quality of the construction. High-quality ukuleles are made of acacia koa or mahogany. The cheaper models are built using plywood, plastic, or laminate woods. The ukulele strings can be made of nylon, fluorocarbon, titanium, wound nylon, wound metal, and steel.
The standard and most common ukulele tuning is G4, C4, E4, A4.
The best and most popular ukulele brands and manufacturers are Kala, Lanikai, Mahalo, Hola!, Luna, Oscar Schmidt, ADM, Sawtooth, Diamond Head, Lohanu, Ohana, Pono, Kamaka, and Kanilea, so if you’re interested in buying one, we’d recommend looking into these.
Don’t be fooled by its small size – the ukulele is a versatile instrument, and it is often used and heard in a broad range of musical genres, including jazz, country music, pop, world music, and rock. Just look up ‘metal ukulele’ an you’dd be amazed! It is also the instrument that best represents surfing and surfers.
Thus far you must have already got it but just to make it very clear – the ukulele is not a small guitar. It is understandable why people think this way, but it’s always good to spread information and educate those who believe in misconceptions.
A ukulele does indeed share alot of similarities with an acoustic guitar – more specifically the classical variety. We are talking shape, size proportions, principle of operations and generally how the instrument behaves. However, an ukulele is not only smaller, but it uses a completely different type of tuning, which means different chords and different playing techniques.
Whether or not someone who is proficient with a guitar could play ukulele right off the bat is questionable. They might have the general skill in their hands, but would have to start from scratch when it comes to the notes on the fretboard. However, a lot of the chord shapes can be adapted from guitar – just under different names because of the tuning. So knowing guitar chords well, means you’ll be able to play on and sing along to songs with a ukulele pretty quickly.
For more guides, tips and tricks we invite you to join Neli’s Guitar Family and subscribe to herYouTube channel! If you are ready to dive into the world of ukulele (or guitar) you can sign up for a lesson HERE – the first one is 50% off!
In Part 1 we covered 5 types of electric guitar body shapes – Stratocaster, Telecaster, Les Paul, SG and PRS. Now it is time to cover some more.
Semi-Hollow Body Type
The semi-hollow guitar is based on having a “tone block” that runs down the center of the body of the instrument. This reduces feedback issues while still maintaining the woody tone of the true hollow body instruments that are widely used in Jazz.
The Gibson ES-335 is a long-time favorite of electric blues and fusion players, and is growing in popularity in other fields such as indie rock While these guitars are known for their warm woody sound, they are capable of being used in almost any genre that doesn’t require massive amounts of gain, which is prone to feedback.
Hollow Body Types
True hollow body guitars sound very similar to semi-hollow guitars, with the main difference being that there’s a higher presence of an acoustic-like tone. They also have a tendency to feedback more than semi-hollow instruments, which makes them a poor fit for genres that require high levels of gain. While many people associate the term “hollow body” guitar with big jazz guitars, the real definition is that a hollow body guitar doesn’t have a wood block running down the middle. So there are hollow guitars with the same body style as semi-hollow guitars.
While hollow guitars are best suited to jazz, there have been a handful of cases where rock musicians have utilized fully hollow jazz box guitars in rock and roll.
Single cut or double cut
A cutaway on the guitar construction is an indentation in the upper bout of the guitar body adjacent to the guitar neck, designed to allow easier access to the upper frets. Instruments with only a lower cutaway are known as “single cutaway” instruments, and guitars with both are called “double cutaway”. These terms are sometimes shortened to just “single cut” or “double cut”.
The advantage to any guitar with single or no cutaways is that the body of the guitar has more room to resonate and therefore will have a larger sound. The double cutaway has the advantage of a thinner body, and easier access to the higher frets.
The offset body style includes three main instruments: the Jaguar, the Mustang, and the Jazzmaster. While there are definite differences between them, offset guitars all generally have a bright and clear sound with a subtle mid and low-end response. These guitars are also well suited to rhythm work depending on how their tone knobs are adjusted.
Offset guitars are very well suited to genres that require a lot of effects, especially fuzz. Good examples of this would be grunge, shoe-gaze, and alternative.
Miscellaneous (e.g. Flying V, Explorer)
Gibson released a number of famous guitars in the 50’s with their eyes set towards the future. They nailed it, because these guitars still look amazing and futuristic even nowadays.
The Flying V offered many of the same benefits as the SG with a much more distinctive body shape. It is now a very common guitar among heavy rock and metal guitarists. This electric guitar style has experienced surges and lulls in its popularity, but has never fallen off the scene, due to the number of great players who have chosen to use it.
Alongside its brother, the Flying V, the Gibson Explorer allows easy access to the highest notes of the instrument, alongside dual humbuckers and massive sustaining bodies. The Explorer, much like the V, is now a very common electric guitar shape in the heavy rock and metal genres, but was widely used in other styles as well.
Did we miss any guitars? If you have some questions left, feel free to leave a comment below or join our Guitar Family and start a conversation there.
“The most fun I had playing gigs thus far has been when I was the guitarist for UK’s Tool tribute band. They just had the best audiences! But the person who was our singer and organiser of all sorts of things at the time – Andy Vozza – is one of many talents and projects. He has been all around the London urban rock scene and I thought he’d have some very interesting stories to share.” – Neli
What were you like when you were first starting on the guitar?
When I started playing the guitar, I was a chubby insecure Italian kid with a lot of negative thoughts. Learning how to play was great therapy for me because while everyone was into football, I had my own thing back then.
What is a solo technique you’d recommend for a new guitarist?
Practicing slowly with the metronome. It’s not a technique, but it opens all doors to any technique you are interested in. I love the legato, because of its fluent sound.
You recently released an EP. What does it represent?
Yes, with my band Elyn. It’s called “I Broke My P.C”. It’s not a concept album. It represents various stages of my life. However, it’s not what it represents to me, instead, it’s what it represents to the listeners.
How was Elyn created?
The idea of Elyn was born after a gig gone bad in India. 4 songs into the set and the speaker tower on my side of the stage collapsed because the crowd kept pushing the security, which eventually made them lose balance and fall. When I went back to London, I started setting things up. My plans for the future are to market it a bit harder as soon as lockdown is over and perhaps attempt a European tour.
What is your process for writing music?
I write lyrics first, with no melody or chord progression in mind. I do this because otherwise, I feel limited in writing lyrics when the music is ready.
You play as Slash in a Guns ‘N’ Roses tribute band. How did that come around?
I used to. I stopped in 2019 to focus full time on Elyn. I still work as a substitute with them from time to time. It all started in 2016. I met Gavin, the singer in Metalworks (the legendary metal event that used to happen every Sunday before the lockdown). He asked me if I could play for Guns 2 Roses if he needed a guitar player. Fast forward to Valentine’s day 2017, he asked me if I could play the first gig with the band on that weekend. Two weeks later he asked me if I could join the band full time and I said I was gonna do it only for 2 years as I want to focus on my original music.
How does it affect you being constantly compared to a legend?
I take things professionally. That was my source of income back then. I enjoyed playing with the band and I treasure their friendship.
In your line of work have you encountered the “rockstar attitude” phenomenon?
Hahahahahahahahahahahahahahahaha, more often than I have ever expected. Have you ever heard the say “what happens in Las Vegas, stays in Las Vegas?”. That applies to what happens on tour as well. I’d rather not discuss the rockstar attitude in-depth 😀
Does the inspiration for your unique fashion style come from music?
Is my fashion style unique? I guess Bowie and Prince are the biggest inspirations on that.
What are your goals in music for 2021?
I wanna bring my band Elyn to the spotlight.
What is your most precious memory of playing the guitar?
Hmmm, there are so many. Probably that time when in university I played a song by the band Extreme and Charlie Griffith from Haken said that was as close as it gets to Nuno Bettencourt. Being compared to one of my idols from a guitar legend was priceless.
“Meet my 1st singer in London – Nicole van Niekerk! She is a highly intellectual and multitalented human originally from South Africa. She recently released her awesome debut book “Mother of the Fire” (which I’m currently reading) and I wanted her to tell you about it and delve further into how she expresses herself.” – Neli
Nicole van Niekerk is a multitalented creator and author from South Africa. Her artistic pursuits have ranged from the world of theatre – which took her to England to study – through music, and to creative writing. ‘Mother of the Fire’ is Nicole’s debut novel which showcases her fascination with history through an exploration of familial expectations, gender roles, cultural identity and the importance of artistic expression. Nicole now lives with her husband in the South of France.
You are a multitalented artist – musician, actress and a writer. How do you combine all these artforms?
Ah, thank you. That’s kind. Well, I try to mix them all organically as I feel they are all forms of expressions coming from the throat or the mouth. In “Mother of the Fire”, you will see that music, writing and theatre plays a very big role in the story and in the life of the strong female character, Louisa. I think it is very important to express ourselves and we often have to overcome great adversity with it. I also try to show some of this in “Mother of the Fire”.
Your debut novel “Mother of the Fire” is now published and available worldwide as an e-book. How did you decide the story of a fictional illegitimate daughter of Charles II is the plot you want to explore in your first book? Honestly, I didn’t really “decide” it. I love history and specifically the restoration period so I just started writing one day. But I like writing about important events in an unexpected way so choosing something like the fire of London, meant I could play around with the events in a way that no one would expect. (Well, perhaps some would) Charles the II had twenty-eight illegitimate children so it wasn’t that far of a stretch to create Louisa.
Did you have the whole plot set before starting to write the book?
Absolutely not. This is going to sound strange but sometimes I just have an idea for a character, an event or just an image in my head. I start writing and it feels like the characters and the story starts to write itself. Sometimes it’s very difficult and I wonder why I’m doing this but then suddenly, I’ll have an idea and off we go again. Sometimes while I write a chapter or re-read a chapter, I’ll get a new idea based on something that happened in that chapter, or a previous chapter. The hardest thing about writing is to stop yourself judging what you’re writing as you write it.
What were the inspirations behind the characters you created – besides the ones who are real historical figures. Are they also based on real people?
Yes, Will Cartwright’s character is a character I combined from real actors during the time period. Alphonse and Louisa are also characters I made up. A few people have commented that some of Louisa’s characteristics are somewhat like mine, and I realised that Alphonse was a lot like my husband, bearing in mind I wrote this before I met my husband, so it is purely coincidental. Or perhaps fate, depending on how you look at it. He looks a lot like him too. I really don’t know how this happened. Haha
How did you achieve the impressive level of authenticity in the book – the characters and plot seem so real, that it is hard to tell which parts are fiction?
Thank you! That is immensely complimentary as I do like to write in such a way that people cannot be truly sure if it’s real or not. Some of the events and characters are of course real but as I wasn’t there in 1666, it’s educated guessing as well as complete fiction at times. I’m not sure how I achieved it but I can tell you that an impressive amount of research went into it. To the point where I thought if the police are tracking my internet searches, they may think I am an arsonist. Examples include: “How long does it take someone to die from asphyxiation?”, “Does thick wood char or burn completely?”, “How long does it take for a wooden house to burn down completely?” and more.
What reader would enjoy your book most – does one have to be familiar with the era in which the events are set, in order to comprehend the story?
I think the ideal reader would be someone who enjoys history but not only because the story stands alone. Of course the historical part is huge but you could enjoy it for the character arcs, the wit and the emotional ups and downs.
So rather someone who enjoys something a little out of the ordinary. I chose to self-publish because most agents and publishing houses told me that they could not take on my book because it wasn’t mainstream enough. And one told me that it was downright strange. Haha, thank you. I shall take it as a compliment. I am nothing if not daring. A few people who have read it thus far have told me how surprised they were that the book was so accessible to them and that they actually started to like historical fiction! So that to me is extremely inspiring.
What advice would you give to an aspiring author who wants to dive in the historical fiction genre?
Wow, I’m not sure if I’m experienced enough to be giving advice on how to dive in but I would say write, write, write. Don’t judge your writing as you do it. Don’t let people’s negative opinions make you doubt yourself, they are, after all, subjective. There is a market out there for everything so don’t try to write to fit a specific genre. Write for yourself and you will attract your audience. Lastly, get a great editor that you trust completely. I recommend Emily Snee.https://www.emilysnee.co.uk/
Writing music and fiction are two completely different things, but are there some similarities in some way?
They are different but they are both stories. Music is just a shorter story than a novel is. Both have difficulties and simplicities. I don’t prefer one above the other, either. They are both forms of expressions and both are very personal. They show something of our souls and that is what makes art such a vulnerable profession. Support your artists, we truly need it. Tell us how good you think we are, we haven’t heard it enough.
Who are your biggest inspirations when it comes to writing?
I knew this big question was coming! I’ve always truly loved Anne Rice. She writes fantasy but she writes so authentically that you’re like, “of course vampires and witches exist!” For historical fiction, I admire Kate Mosse, Phillipa Gregory and Charlotte Betts. All strong female writers and very inspiring. The first writer I ever loved was a South-African writer who writes in Afrikaans, my native language. Her name is Fransi Phillips. Her daughter is one of my best friends and we grew up together in Pretoria. I still love her work and read it often. She read one of my stories when I was a child and though I was only thirteen, she told me that there’s no doubt that I’m going places. She also told me that I’m completely crazy but that’s not what we’re talking about here.
Do you plan on writing more – a sequel to “Mother of the Fire” or maybe a completely different story?
Yes, of course. I’m always writing something, whether it is published is another story. I am currently writing a different book about my family’s experience living under the British Immigration system. We had a very difficult and traumatic time and it partly inspired me to write about all the identity issues in “Mother of the Fire”. I’m not sure when it will be finished though. I may write a prequel to “Mother of the Fire” at some point, or perhaps about another character from the story but I’m not a fan of sequels so that is probably not going to happen. I like stories that can stand by themselves and that don’t rely on you having read something else.
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